Posted on 19 April 2007
This was a live performance, and if you can ever see one on video, do. He’s an artist who has lost nothing with age. This is the best performance by him I’ve heard yet. The precise, expert, varied arrangements and accompaniment combine smoothness and pep in an almost flawless production. If I could make one change, I’d eliminate one of the two songs by Richard Bona, the
Cameroon guest artist, but it’s still a fantastic recording. Best songs are many, but I select “We Are the Wave,” “Skin to Skin,” Matilda,” “Dangerous Times,” “Try to Remember,”
Jamaica Farewell” (done completely differently than I’ve ever heard him do it before), and “Day-O.” He grew up in
New York, served in the
US navy in World War II, then went to a dramatic workshop at
New
School of Social Research with classmates like Walter Matthau, Rod Steiger and Marlon Brando. But being black kept doors closed to him, and in music he found opportunity, along with Dizzie Gillespie, Billie Holliday and others. Paul Robeson, Pete Seeger, Woodie Guthrie, Mahalia Jackson and others influenced him. He has since involved in his concerts international artists Nana Mouskouri from
Greece, Ladysmith Black Mambazo from
South Africa, Odetta from
America, Youssou N’Dour from
Senegal and many other people. Harry Belafonte is now a world performer—Japanese sing “Day-O” (The Banana Boat Song), Germans sing “Hava Nagila” (led by an African-American with
Caribbean roots), and Carnegie Hall has seen command and repeat performances.